a continuum (11')
a contemporary ritornello for baroque orchestra

And this will be all (3')
an encore for tenor and symphony orchestra

as performed by Michael Spyres, tenor, and The Moscow Chamber Orchestra conducted by Constantine Orbelian

A Transient Reflection (10'30)
for solo violin and string orchestra

as performed by The Boston Chamber Orchestra conducted by Yohei Sato

Grigori Efimovich: The Memory of Liars (50’)
Chamber opera for five singers and chamber orchestra.
Libretto by Ben Pfeiffer

The Volga’s Streams, aria from scene IV
as performed by Erin Merceruio, Sean Spyres, Daud Alzayer, Matthew Stansfield, and Aaron Styles, conducted by Timothy Verville

Sum Hephaestus (8’30)
for symphony orchestra

as performed by The Boston Conservatory Orchestra conducted by Bruce Hangen

War Songs (47’)
cantata for soprano and baritone soloists, chorus, and orchestra to texts by Carl Sandburg

The Way Light Bends (4’30)
for violin

as performed by Natalie Calma, violin

In Absentia (10’)
for soprano, flute, oboe, horn, guitar, viola, and piano

Aphorism 7: There is no such thing... (5’)
for alto flute and alto saxophone

I Grew Up South of Here. And West. (5’)
for baritone and piano

You are missing here. (13’)
for cello

as performed by Justin Dougherty, cello

Simulacra (20’)
for violin, viola, and cello

Movement IV
as performed by Drew Ricciardi, violin, Brian Sherwood, viola, and Luke Krafka, cello

Aphorism 6: “Dans le véritable amour c’est l’âme, qui enveloppe le corps.” (9’)
for oboe and percussion

b, as performed by Michelle Zwi, oboe, and Ethan Pani, percussion

Aphorism 5: Even when the mouth lies... (6’)
for oboe and trombone
as performed by Angela Limoncelli, oboe, and Kevin Virgilio, trombone

Aphorism 4: ...an untimely echo... (5’)
for flute and electronic playback
as performed by Emily Wilson, flute

An Unfaithful Mirror (13'30)
for flute, clarinet, horn, violin, viola, cello, and piano

Aphorism 3: Under peaceful conditions... (5’)
for violin and horn

as performed by Kirsten Weingartner Weiss, violin, and Darrel Barnes, horn

Aphorism 2: ...helps one through many a dreadful night. (5’)
for cello and marimba

as performed by Jennifer Bewerse, cello, and Alex Delgado, marimba

Aphorism 1: ...the abyss also looks into you. (6’)
for english horn and guitar

as performed by Angela Lickiss, english horn, and Andy Hanson-Dvoracek, guitar

A Quintessentially American Madness (4’)
for soprano and piano

Le Dormeur du val (30’)
for oboe, violin, viola, and cello

Movement III, as performed by Angela Limoncelli, oboe,
Soo-Gyeong Lee, violin, Brian Sherwood, viola, and Luke Krafka, cello

An All Too Candid Soliloquy (8’)
for viola

as performed by Roselie Samter, viola

Harmonie du soir (6’)
for flute, oboe, clarinet, violin, cello, and piano

as performed by Juventas conducted by Michael Sakir

Songs from a Frozen City (7’)
for SATB chorus

A Thin Black Frame (7’)
for soprano and piano

Aural Studies of a Silhouette (9’)
for flute, clarinet, vibraphone, violin, cello, and piano

as performed by the Xanthos Ensemble

...and in that moment... (20’)
for electro-acoustic media

as programmed by Joseph Kramer

Dirge and Scherzando (10’)
for alto saxophone and piano

Tu Risa, movement II, as performed by Kristine Gray, alto saxophone, and Daniel Jepson, piano

À Tout le monde un émigré (9’)
for flute, clarinet, vibraphone, violin, viola, cello, and piano

as performed by ensemble21 conducted by Christopher Koch

Five Meditations on Texts by Friedrich Nietzsche (15’)
for tenor and piano

Righting a Grave Wrong, movement II as performed by Stephen Bomgardner, tenor, and Carlyle Sharpe, piano